Miscellaneous

Bussell, Jennifer L. “A Life of Sound: Korean Farming Music and its Journey to Modernity.” B.A. thesis, Department of Anthropology, University of Chicago, 1997. https://uspungmul.wordpress.com/wp-content/uploads/2011/05/bussell1997.pdf. (https://web.archive.org/web/20070703031718/http://www.kycc.net/NPN/Documents/bussell_thesis.doc)

Kihl, Taesuk. “The Meaning of Chisinbalki in Los Angeles as an Expression of Korean American Identity.” Yeol-sang Journal of Classical Studies, 2007. https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001067825.

Kwon, Donna Lee. “The Roots and Routes of Pungmul in the United States.” Music and Culture (Korean Society for World Music) no. 5 (2001): 39–65, ISSN 1229-5930. https://uspungmul.wordpress.com/wp-content/uploads/2011/05/kwon2001.pdf. (https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART000938215)

Lee, Katherine In-Young. “Pungmul, Politics, and Protest: Drumming During South Korea’s Democratization Movement.” Gugagwon nonmunjip (National Gugak Center) 19 (2009): 256–272. https://uspungmul.wordpress.com/wp-content/uploads/2011/05/lee20091.pdf.

Lee, Katherine In-Young. “The Drumming of Dissent during South Korea’s Democratization Movement.” Ethnomusicology 56, no. 2 (2012): 179–205. https://doi.org/10.5406/ethnomusicology.56.2.0179.

Lee, Katherine In-Young. "Encounters with Samulnori: The Cultural Politics of South Korea's Dynamic Percussion Genre." Doctoral dissertation, Harvard University, 2012. http://nrs.harvard.edu/urn-3:HUL.InstRepos:10288955.

Kim, Soojin. "The Quest for Authenticity and Innovation: Diasporic Korean Drumming in the United States." Korean Studies 45 (2021): 62-88. https://dx.doi.org/10.1353/ks.2021.0004.

Gwak, Sonya (Sung Youn). "Be(com)ing Korean in the United States: Exploring ethnic identity formation through cultural practices." 2006.